
-Cheri

Here is another lady with a hat, but more in my style. I’m still working on light and shadow and I can see now that there is some confusion going on in the arms.
The colors are based on violet with red and blue shifting their emphasis in the hat and blouse. I used marker as a base and colored pencil for shading.
Who knows where squiggles run, but this woman looks happy to be going there.
–Lynne
Eye turned prism sees light reversed,
spread colors returned to whole white.
Look at this! Look at this!…this sight,
while the eye watches white burst.
-Lynne

This is my version of a Charles C. Carter painting called Roxanne in Mauve that we discussed in our critique group with Teri Partridge a couple of weeks ago.
The hat is such an intriguing part of the painting, I felt that I wanted it to be the center of my sketch. It seems to do as well as a skirt as it does as a hat. I also wanted the lines of the hair to be repeated in the pattern of the shoes.
The color is done with colored pencil and marker. I used a more sophisticated color scheme than usual in my squiggles, but she is a high society woman. She may be signaling to her private jet in this photo. I’ll have to go check.
-Lynne
Into that good night gently ease,
the line is wrong, our night is light.
Closed eyes see not dark but pure white,
light reversed, eye turned prism sees.
-Lynne
I yearn for the colorless light,
bright, bright until beatific.
Time to muse my life’s specifics,
gentle ease into that good night.
–Lynne
I like words’ sound more than meaning,
but quatrains are not just rhythms.
Poetry’s sense shines through prisms,
split light makes colors for yearning.
-Lynne